TAC Family Forums

Hi David @TWTX , this is a great question and the answer is super fun: think of where you move pick in relation to the sound hole as your effects pedal for acoustic. Plunk the string at the 12th fret and then again by the bridge. Where you play is where you like the sound being made. Lastly integrating changing that tone in a call and response way by playing by the bridge then answering above the sound hole and vice versa, is one of those special sauce things that can take playing scales into new fun territory. This is one of the concept I did not have to force….just knowing it was there made me want to find a way to utilize it.