Try this guitar challenge
STEP 1: Watch the video to learn the bite-sized piece of music
STEP 2: Click the "PLAY" tab below the video to play along with Tony until you can do it on your own.
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Responses
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Day 4 – The More The Merrier
Responses
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That’s so cool! I never thought I could use a vibrato on a chord. Definitely not easy and need practice.
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The vibrato sounded good as I played it.
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I enjoyed this, at first I really had to concentrate on the vibrato but as I went it became more natural. I found it easier to do as I moved to the D7 and then the E7, A7 gave me the most challenge but definitely coming
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Smooth!
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Good lesson puts a nice bluesy sound out there
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So happy to learn this blues progression on the bass strings!
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small win, getting the “click” on the right beat.
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Good title, the more I mess around with this, the more I like it!
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Funny, this helped me figure out something I have been thinking about for a while. This chord shape is used a lot in blues.
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A little buzzy on transition and the A7 to D7 a little sloppy. But I picked up my guitar and gave it my best for now.
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Got it! Love the blues.
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Another tool in the toolbox, still needs more work.
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No Problemo
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This week has been great… Loving the blues!
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This has been a easy breezy week for me. After last week… I needed simple. LOL… It is def fun to play w some wiggles… and I love the blues.
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I like using these abbreviated 7th chords to represent a full dominant 7 chord. I also played around subbing diminished chords for the triad 7th chords. the b7 chords as presented are dominate 7 chords(no 5} so C#dim can represent A7, F#dim can represent D7 and G#dim can represent E7. The spelling for diminished chords are 1-b3-b5, So C#dim,F#dim G#dim and their inversions can be played all over the neck depending on what voicing and register you want to play in so your not playing what everyone else would play… Have fun…
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No creeping in yet. (Some single notes during solos) 🙂
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This is cool! If I didn’t already have some pretty good calluses, I’d sure get them from this exercise!
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Straightforward, found I tended to rush it when playing with the soundtrack
Congratulations, !
Challenge complete
Come back tomorrow for your next challenge
That’s so cool! I never thought I could use a vibrato on a chord. Definitely not easy and need practice.
The vibrato sounded good as I played it.
I enjoyed this, at first I really had to concentrate on the vibrato but as I went it became more natural. I found it easier to do as I moved to the D7 and then the E7, A7 gave me the most challenge but definitely coming
Smooth!
Good lesson puts a nice bluesy sound out there
So happy to learn this blues progression on the bass strings!
small win, getting the “click” on the right beat.
Good title, the more I mess around with this, the more I like it!
Funny, this helped me figure out something I have been thinking about for a while. This chord shape is used a lot in blues.
A little buzzy on transition and the A7 to D7 a little sloppy. But I picked up my guitar and gave it my best for now.
Got it! Love the blues.
Another tool in the toolbox, still needs more work.
No Problemo
This week has been great… Loving the blues!
This has been a easy breezy week for me. After last week… I needed simple. LOL… It is def fun to play w some wiggles… and I love the blues.
I like using these abbreviated 7th chords to represent a full dominant 7 chord. I also played around subbing diminished chords for the triad 7th chords. the b7 chords as presented are dominate 7 chords(no 5} so C#dim can represent A7, F#dim can represent D7 and G#dim can represent E7. The spelling for diminished chords are 1-b3-b5, So C#dim,F#dim G#dim and their inversions can be played all over the neck depending on what voicing and register you want to play in so your not playing what everyone else would play… Have fun…
No creeping in yet. (Some single notes during solos) 🙂
This is cool! If I didn’t already have some pretty good calluses, I’d sure get them from this exercise!
Straightforward, found I tended to rush it when playing with the soundtrack